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The camera system as a whole, including the lens, as well as encoding and image processing have introduced changes in the recorded image. The Camera is Not PerfectД®ither way, there will always be a difference between the light that exposed the camera sensor, and the digital representation of that light recorded to a video file. This may be raw image data, along with camera metadata, or it may be highly processed and compressed. The camera processes this raw image data, and finally records it to a file. The voltage at each photosite is encoded into digital values that represent the entire image. From this point, real world photons of light are recorded as a voltage. The light passes through the color filter array and is converted into an electrical charge in each photosite. This pattern is called a Bayer Color Filter Array (CFA). A pattern of red, green and blue colored filters is employed in order to record, and later reconstruct color information. The image sensor is a vast array of microscopic light sensitive photosites. This light is focused onto the image sensor in the camera. Light is emitted from a light source, and reflects off objects in the scene into the camera lens.

Shooting a correctly lit, correctly exposed video color chartДЄ complete color managed workflow starts with the camera.

There are the main considerations I will break down. The improvement of consumer display technology in recent years makes accurate low budget Resolve monitoring possible.

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This is largely thanks to Blackmagic Design for democratizing professional color correction by making DaVinci Resolve free for everyone.

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The cost of the hardware and software needed to manage the video at each point in the pipeline is now more affordable than ever before. However, the accuracy of video displayed on a external monitor is dependent on the correct video signal, and employing a monitor able to reproduce the correct values on screen.

These scopes can be software or hardware. This is achieved by correcting the image so that certain reference values (such as those from a color chart) match up to target values on a waveform and vectorscope. Managing color though this pipeline involves correcting any changes and shifts that can creep in between capture and display.Д¬olor correcting captured video happens easily enough in color correction software, such as DaVinci Resolve. This is to ensure that the audience sees the image as closely as possible to what was intended. The goal is simply to manage the representation of color from capture to display. The term color management sounds intimidating but the concept behind it is simple.

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How to Choose the Right Video Color Space?.

If youвЂ™re not yet familiar with the term вЂњcolor spaceвЂќ, I recommend you read my articles below. This is possible using an LG OLED television such as the 2021 LG C1 or other compatible panel and a few other bits and pieces of hardware and software. However, it is now possible to set up professional DaVinci Resolve monitoring for Rec.709 for a few thousand dollars. True color critical HDR monitoring is completely unaffordable for most. Reference displays can run to tens of thousands of dollars, especially those suitable for HDR mastering. Typically this has been, and still can be, an expensive proposition. Your primary desktop monitor, or a second extended desktop computer monitor is not going to cut it. Your DaVinci Resolve suite needs to be providing a video signal to a calibrated external monitor. The best you can do is make sure youвЂ™re grading on a calibrated reference display in a optimal environment.

How to Set Up Your Resolve Grading Environment.

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The Best Low Budget Resolve Monitor is a 2021 LG C1 or 2020 LG CX OLED TV.